Two days ago, an amazingly talented photographer, Armando Bellmas, tweeted: "If you're anywhere near NoDa right now come to Dialect Gallery (across from Dolce Vita). Giving away all the prints from my exhibit til 9p." Fifteen minutes later I had six beautiful photographs (above) in my hands.
Last month I attended Armando's "low-fi" photography installation aptly named, "The Late 2010 Blues." I arrived at the opening reception to find a variety of photographs taped to the walls in a continuous stream of prints. As I scanned the walls, I found myself mesmerized by the patterns, urban streetscapes, faces and random food items.
You can imagine my disbelief when I saw that he was donating prints to anyone willing to make an impromptu trip to NoDa. But it was true. "Take as many as you want," he said. And so, I did.
Last month I attended Armando's "low-fi" photography installation aptly named, "The Late 2010 Blues." I arrived at the opening reception to find a variety of photographs taped to the walls in a continuous stream of prints. As I scanned the walls, I found myself mesmerized by the patterns, urban streetscapes, faces and random food items.
You can imagine my disbelief when I saw that he was donating prints to anyone willing to make an impromptu trip to NoDa. But it was true. "Take as many as you want," he said. And so, I did.
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